Lived In — Teralyn Brown

Lived In

Kingwood House’s Garage (2019) - 22.5” x 30.5” diptych, copper photo etching, hard ground lines — **Kingwood House’s Garage** *(2019)* 22 1/2 x 30 1/2 inches - diptych, copper photo etching, hard ground lines

Peter’s Room (2019) - 12.5” x 17.5” copper etching, aquatint — **Peter’s Room** (*2019)* 12 1/2 x 17 1/2 inches - copper etching, aquatint

High Street House’s Dishes (2019) - 5” x 10” copper photo etching, hard ground lines — **High Street House’s Dishes** (*2019)* 5 x 10 inches - copper photo etching, hard ground lines

Deisha’s Closet (2019) - 9”x12” copper etching, aquatint — **Deisha’s Closet** (*2019)* 9 x12 inches - copper etching, aquatint

All I Can Say Is (2019) - 18”x23” copper etching, monoprint, aquatint, chine collé, — **All I Can Say Is** (*2019)* 18 x23 inches - copper etching, monoprint, aquatint, chine collé,

Olivia’s Room (2019) - 6.75” x 8.5” 3 piece multi-plate etching, aquatint, a la poupée — **Olivia’s Room** (*2019)* 6 3/4 x 8 1/2 inches - 3 piece multi-plate etching, aquatint, a la poupée

Closet Space (2018) - 10”x11” copper etching, aquatint — **Closet Space** (*2018)* 10 x11 inches - copper etching, aquatint

Harrison’s Backpack (2019) - 4.5” x 6” copper etching, aquatint — **Harrison’s Backpack** (*2019)* 4 1/2 x 6 inches - copper etching, aquatint

Porter Apartment G101’s Dishes (2019) - 10” x 10.75” copper etching, aquatint — **Porter Apartment G101’s Dishes** (*2019)* 10 x 10 3/4 inches - copper etching, aquatint

Dad’s Chair (2018) - 3” x 3” soft ground etching, object impression, chine collé — **Dad’s Chair** (*2018)* 3 x 3 inches - soft ground etching, object impression, chine collé

Kingwood House’s Fridge (2019) - 12''x18” copper photo etching, hard ground lines — **Kingwood House’s Fridge** (*2019)* 12 x18 inches - copper photo etching, hard ground lines

Sock Pile (2019) - 8.5” x 11.5” copper etching, aquatint, chine collé — **Sock Pile** (*2019)* 8 1/2 x 11 1/2 inches - copper etching, aquatint, chine collé

J’s TV (2019) - 7.5” x 7.75” copper etching — **J’s TV** (*2019)* 7 1/2 x 7 3/4 inches - copper etching

Deisha’s Desk (2019) - 13” x 18” copper etching, aquatint, white ground — **Deisha’s Desk** (*2019)* 13 x 18 inches - copper etching, aquatint, white ground

Deisha’s Floor (2018) - 9” x 12” copper etching, aquatint, sugar lift, spit bite, hand-coloring — **Deisha’s Floor** (*2018)* 9 x 12 inches - copper etching, aquatint, sugar lift, spit bite, hand-coloring

Alta Vista House’s Laundry Room (2019) - 6.5”x10” copper etching, aquatint — **Alta Vista House’s Laundry Room** *(2019)* 6 1/2 x 10 inches - copper etching, aquatint

Emily’s Dashboard (2019) - 6” x 7.75” copper photo etching, hard ground lines — **Emily’s Dashboard** *(2019)* 6 x 7 3/4 inches - copper photo etching, hard ground lines

Emily’s Ashtray (2019) - 6” x 7.75” copper photo etching, hard ground lines — **Emily’s Ashtray** *(2019)* 6 x 7 3/4 inches - copper photo etching, hard ground lines

Deisha’s Corduroy Bag (2019) - 4.5”x6” copper etching, aquatint, hand-coloring — **Deisha’s Corduroy Bag** (*2019)* 4 1/2 x6 inches - copper etching, aquatint, hand-coloring

Appliqué (2019) - 3”x4.25” copper etching, aquatint — **Appliqué** (*2019*) 3 x 4 3/4 inches - copper etching, aquatint

Emily’s Car Console (2019) - 6”x6.5” copper photo etching, hard ground lines — **Emily’s Car Console** *(2019)* 6 x 6 1/2 inches - copper photo etching, hard ground lines

Cassie’s Laundry Basket (2019) - 3.5”x4” hard ground etching — **Cassie’s Laundry Basket** *(2019)* 3 1/2 x 4 inches - etching

My Neighbor’s Taboret (2018) - 17”x 22” copper etching, aquatint, white ground, hand-coloring — **My Neighbor’s Taboret** (*2018)* 17 x 22 inches - etching, aquatint, white ground, hand-coloring

Objects and occupied spaces are where we seek comfort and find identity. They can reflect lifestyles, mental states, and personalities that are not always obvious and require closer inspection. By focusing on objects and living spaces, I create bodiless portraits that are universally relatable. Many people know of a chair they feel bonded to or a space in their life that has resembled the ones I present. I invite the viewer to witness these collective items at their most candid and vulnerable. As they exist with and around us, objects and environments take on a life of their own and become honest representations of the human experience.